If you write and want to be published or produced (in the case of film), then you know the biggest job is getting representation.
Believe it or not, over 100 years ago, agents didn't really exist. Writers contacted newspaper, magazine or book publishers about publication. You might get a deal to do an article or a contract, if there was a series involved.
Now you have agents who specialize. Some won't touch poetry, others screenplays. I can understand this, as the literary world is now much more complex than in the days of Mark Twain.
Which is OK, if you're a writer who only works in a specific format or genre.
I like to work in all forms of word and story construction. Whether it's Haiku, poetry, short stories, novellas, screenplays or novels, I've written them all. Blogs, websites and tech manuals can now be added to the resume.
No matter what you write, finding an agent you can work with is of supreme importance. I've never pushed myself to get an agent, until now. It's a time consuming process, but one which, if done right, can result in a long-term relationship.
Actually, it's more of a team than a one-on-one relationship. After all, you have the writer, the agent, the editor and the publisher/producer.
Having a Muse is optional.
I'm ready to find and work with an 'A-Team'.
Have Muse, will travel.